Quotes & Possible Essay Questions for Henry
V
Quotations:
1. "O for a Muse of Fire ... A kingdom for a
stage ... can this cockpit hold / The vasty fields of
France? or may we cram / Within this wooden O the very
casques / That did affright the air at Agincourt? ... On
your imaginary forces work." Chorus (Act I Prologue)
2. ". . . the king has killd his
heart." Hostess (2.1)
3. "The king hath run bad humours on the knight .
. ." Nym (2.1)
4. "His heart is fracted and corroborate."
Pistol (2.1)
5. "For this revolt of thine, methinks, is like /
Another fall of man." Henry V (2.2)
6. ". . . bristle thy courage up;for
Falstaff he is dead, / And we must earn therefore."
Pistol (2.3)
7. "Would I were with him, wheresomeer he
is, either in heaven or in hell!" Pistol (2.3)
8. "Nay, sure, hes not in Hell: hes
in Arthur's bosom . . ." Hostess (2.3)
9. "Let us to France; like horse-leeches, my
boys, / To suck, to suck, the very blood to suck!"
Pistol (2.4)
10. "Once more unto the breach, dear friends,
once more / Or close the wall up with our English
dead!" Henry V (3.1)
11. "Cry God for Harry, England, and Saint
George! " Henry V (3.1)
12. ". . . but his nose is executed, and his
fires out." Fluellen (3.6)
13. "If we may pass, we will; if we be
hinderd, / We shall your tawny ground with your red
blood / Discolour . . ." Henry V (3.6)
14. ". . . if their heads had any intellectual
armour, they could never wear such heavy
head-pieces." Duke of Orleans (3.7)
15. "A little touch of Harry in the night . .
." Chorus (Act 4 Prologue)
16. "Though it appear a little out of fashion, /
There is much care and valour in this Welshman."
Henry V (4.1)
17. "And what have kings, that privates have not
too, / Save ceremony . . ." Henry V (4.1)
18. "Not to-day, O Lord, / O, not to-day, think
upon the fault / My father made in compassing the
crown!" Henry V (4.2)
19. "But if it be a sin to covet honour, / I am
the most offending soul alive." Henry V (4.3)
20. "We few, we happy few, we band of brothers .
. ." Henry V (4.3)
21. "Then every soldier kill his prisoners . .
." Henry V (4.6)
22. "Kill the poys and the luggage!"
Fluellen (4.7)
23. "I was not angry since I came to France /
Until this instant." Henry V (4.7)
24. "O Kate, nice customs courtsy to great
kings." Henry V (5.2)
25. "This star of England: fortune made his sword
. . ." Chorus (Epilogue)
Possible Essay
Questions:
1. Compare and contrast two or more versions of Henry
V.
2. Discuss Oliviers metatheatrical and
metacinematic version of Henry V. What critical
points does the film make about the play?
3. Discuss the BBC version of Henry V as the
concluding chapter in a Henriad. How is the film of Henry
V related to and influenced by the earlier films in
the tetralogy?
4. Discuss Falstaffs presence in Henry V.
How does his death relate to Henrys treatment of
the traitors, the death of Bardolph, the behavior of
Pistol, and the disquisition of Fluellen on the subject
of Alexander?
5. Discuss the BBC Henry V as the conclusion of
a Henriad. In what ways do we see Hal in Henry? Do we see
the new king growing into his role?
6. Discuss Henry Vs version of kingship. How
does he feel about the kings role and from whence
does he draw his power?
7. Discuss Hal/Henry as actor, analyzing his
performances as king, war leader, orator, warrior, and
wooer.
8. Discuss Henry V as a romantic comedy. Why is
it important that the play have a happy ending and what
does the ending say about Shakespeares opinion of
Henry?
9. Discuss the role of the Chorus and of the
audiences imagination in Henry V. Is the
play about war or about other issues?
10. Shakespeare has been accused of jingoism in Henry
V. Is the play simply a glorification of the English
or is it more complicated than that?
11. Discuss Hal/Henry as machiavel, making your
position on the subject clear and supporting it with
evidence from the plays.
12. Some critics argue that Hal has to give up much of
his own personality and freedom to become Henry V. Do you
agree or disagree?
13. Discuss Branaghs Henry V. Do you
agree that his version is less militaristic than
Olivier's?
14. Compare and contrast the four Henrys available on
film.
15. Compare the four film versions of the play.
16. Compare the two movie versions of the play
(Branaghs and Oliviers). How do they reflect
the concerns of their auteurs and audiences?
17. Is it possible to compare the versions of John
Falstaff in a play where he does not (in the text, at
least) appear on stage?
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